Tag Archives: prose poetry

Train [Speed Poetry]

Fettered lights passed by from the train

unk cachunk cachunk cachunk cachunk

a man was standing up in the first car

standing up in the first car and walking

down the corridors holding on to the

railing

Tall man black clothes tall man heavy brow tall man fearful smile scared of something that was coming or something that was already there tall man reeling but with not drunk tall man with blood following his hands one hand on his chest

unk cachunk cachunk cachunk cachunk

Each scene from the window a new play

Lasting seconds only one car to the next

unk cachunk cachunk cachunk cachunk

Last car a woman was holding a gun pointed

outwards point outwards towards the man

Two am and the lights fettered on and off

as the train hit the railings blood smeared

on the walls a hooded black figure hugging

the man unk cachunk cachunk cachunk

His lips moved Tall man falling to the ground

unk cachunk cachunk cachunk cachunk

Woman bleeding now gun to the ground

Romeo and Juliet play Except by the choice

of one

 

I have to pity the person who is going clean up that mess

 

White wisps falling out of the body mists revealing no bodies but blood and the souls wavered for a second before they split ways It’s time for the tax collector to pass by and grab his due

 

unk cachunk cachunk cachunk cachunk.

Poetry exercise

Foreword: This is perhaps one of my favorite things to create poetry. The exercise itself is simple enough, you take a paragraph, and break it up. I will be using an interview of Jean Francois Lepage by Anita Zechender called, “Shaking the Soul” page 83, Image in Progress N. 3.

—————

“The photography of Jean-Francois Lepage, a genial artist and a Parisian, reproduced finite and decadent traits. Female souls are models in a world whose contours are drawn by the human pen. Paradoxical stage sets eho an elegant and sophisticated fashion, which shows its infinitesimal plasticity, capable of invading the eyes with matter and fabrics but of preparing the mind to the surreal. Lepage’s art is complex, as it transcends the world of fashion, touches upon graphics and painting, calls to mind cinema to finally reach the philosophy of existence.”

&

“The concept of woman as an inspirational muse, custodian of the mystery of seduction is abandoned in favor of transformist bodies, without sexuality, headless. “Avatars” that allow access to a mysterious Surreality, sinister and magic at time which is suggested as a possible safe haven. This are post-modern, unobvious images; they are subversive, nearly troublesome, never natural yet so fitting in all historical periods.”

—————

In order to create a collage out of it, I am also going to be introducing another paragraph as well to mix and match. One will be in bold, the underlying lines italicized, and the other plain.

————

1: reproduced finite and decadent traits. Female souls are models in a world contours are drawn by the human pen. Paradoxical echo sophisticated and elegant fashion infinitesimal plasticity invading the eyes with matter and fabrics preparing the mind to the surreal. Transcends upon graphics and painting reach philosophy of existence.

2: An inspiration muse, custodian of seduction in favor of the concept of woman without sexuality, headless. Access to a mysterious Surreality, which is suggested as sinister and magic, a possible safe haven. Post-modern, images, subversive never natural yet fitting in all historical periods.

————

Now that the key words that I want were selected, I will continue with mixing them together. As if it were a 10 by 10 poem, it should read together, yet become an understandable separate poem if split apart. It becomes a decadent assembly of words set together as a collage to form a new art – yet at the same time retains the original sensibilities.

————-

Finite and decadent        concept      reproduced

[by]female souls        ina           world[of]contours

are sinister         models      yet in a world drawn

by  inspiration  muse ofseduction thehuman

pen     SophisticatedSubversive      and elegant 

fashion    invadingtheeyes     with       a possible  

post-modern   safe/haven and      parado-

xical infinitesimal plasticity           preparing the

fitting          mind           all              tothegraphic

                 philosophy of existence.

—————–

And there we go.

I’m the one with the cigarettes

Lighting the third cigarette in a row

Lit it, smoke it, wash it away with small puffs of smoke.

In Arabic they say ishrab il cigara.

To drink it away.

A community of rebellion or being a man.

That’s the thing about smoking though, always found it to be something in particular for traveling. Travel here, travel there, always have a pack of friends but you know that friendship will last five ten minutes until you have another one. And then you become that obnoxious asshole that people stare at in disgust. But that’s fine. It is much better than to stand around doing nothing and waiting for life to take you away. Give a cigarette away to those who would like it. There was a girl at a bus stop who asked me for one. I looked at her and asked how old she was. A curt 16, and a “are you gonna gimme one or not”

Too young to smoke, too young to smoke, I told her she’s too young to smoke, and to get insulted then and there for judging and it’s not my place and stuff.

And to look at her with a grin, bringing up the third cigarette to my lips and say,

– I’m the one with the cigarettes.

Icarus

Mind I was influenced by Dues Ex: Human Revolution when I was writing these pieces. Influenced by the sense that I was listening to the soundtrack consistently. That’s a little thing about me, that music affects me in different aspects of my life. Whether it is in recreation, lying about, studying, writing, or even having sex. So some of the titles of the poetry are shared with the song titles – but that’s about it when it comes to what is shared between the two.

Instead, Icarus is a collection of prose poetry revolving around the beggars you would see about in Ras Beirut. I am not going to say how much of it is real. I don’t want to repeat that to anyone. But at the same time, the illusions that take place are small ways to escape into the air, only to fall back down to the ground.

Final warning. This piece in particular isn’t for children or the weak of heart. That said, may I present to you Icarus.

Foreword:

I am a writer who lost his ink

the pen dropped down into the water

it swirled and swirled,

a black whirlpool of much spinning and dispersing. The words that could have been written lost now, leaving black marks at the eddies of the shore.

And I would watch as the ink mixed with the poison that bloomed and fell into the ever receding tide of sewage from Beirut’s shores.

As a writer who lost his ink, the pen left dry scribbles on the paper or floor. And who gave me the idea to take the ink, from the industrial spillage and give it words:

***

Steps:

I thought that if I could believe that things will be better the next day or the day after that, everything will be fine. But all that did was to explicate. Be lazy. That’s all. There is nothing. That it would. Do – but keep the keeper at bay. There is more to my life than that

Should be.

Yet stranger tides have came

through.

Stranger days

wills.

And except for that singular notion the only one I affirmed to and took in and accepted.

There is no-one on these empty street but my self in the end.

***

Beggar:

Different kinds of beggars roam around Beirut at night.

Those who prey on the weak. That pink pot bellied foreigner.

Signs/words of obesity stretched across his 12 year old stomach. A contrast versus the starving kid next to him.

Starving isn’t the word.

A contrast versus the – stretched, straightened back from sleeping on the ground, the boy who earned the most money sleeping on the rickety bed. Trading bed bugs and parasites for the cockroach ridden floor. And he would barely sleep night after night because the indentured slave of a maid would cry as she is raped night after night by the child’s owners. The “mother” would show her love for the children by taking the money earned and shoving crusts of heroin and bread into her flat gluttonous mouth. The kids were smacked into believing of God and redemption and that they use those prayers to invoke sympathy. Though most of the money is so that they would shoo away and leave the foreigners in peace – kid next to him.

And that child would stare at the obese, plump turkey of a boy and the child would walk away indifferent.

  • culture shock for the masses
  • daily life for him

And as the starved child would come and ask me for a cigarette, I would smack him. Nobody deserves to be a

smoker

Look at him in the eye and tell him

Where there are more foreigners.

Thank whatever son-of-a-bitch up there that he wasn’t a girl.

Otherwise that bed wouldn’t be for her and her “siblings”. But a long line of fat men with the small pricks To feed the gluttonous “mother” alone.

***

Icarus

The sun flared through the shades of the gritty room

It worms itself over to the young girls sitting, sleeping

In that room. The sun flared and wormed and sparked to

move and twist along their naked ankles. A foot will twitch

unaccustomed to the strange warmth

as if

as if

asleep throughout the days and awakening at nights for

a vilified pleasure. In the corner their passports were

burned. Their parents in Syria know of them as dead –

if they cared to ask

and all in all, in the drugged haze, the dream

of escaping and leaving and living by themselves like

the ugly ugly men they swallow in each night with

those strange pills that make their stomachs feel weak.

The one recently beaten, the one most recently – raped

lies on the ground naked in flesh, eyes full of tears

the drugs wearing off

the drugs wearing

the drugs

and she would tilt her head and watch the warmth

and she would tick at the ground

ticking

tick

with the semen dripping from her lips.

***

Disclosure:

Disclosure at it’s finest

the wake is all that comes. It comes with broken syllables  Broken notes as if from a piano that was left alone to be pounded away by inexperience

and time.

And it is only stopping on the street for that false fresh air of passing cogs that you realize and believe that the broken bones you carry around are being refreshed by

industrial

noise and industrial sounds that come and breathe

1.2.3.4.

and industrial noise and industrial sounds and finally – silence.

Mr. Turner came and fixed the piano.

Mr. Grim knocked at my door.

As I slept away from the window and stepped into that family’s home to play and play and play their piano with a false vigor.

***

Price

The man for that night was a heavy sleeper.

He had his fun, stroking himself slowly

as they fucked in his little girl’s room.

Her clothes were ripped and shorn. Damaged

goods, designer wears. Borrowed to fulfill a

fantasy.

The drugs were fading. Some guy’s idea of mercy.

And she would close her eyes and will him to stop

and will him to stop and move her hips with him and

will him to stop.

The man was a heavy sleeper, after he had his fun.

She crept back into the room, his daughter’s room,

and took with her the clothes. The clothes she sees

the women walk around in, in Ras Beirut. Her hair

still a mess, she dared to try on the clothes. Only to

get a yell out, a stark cry as someone grabbed her

and told her that filthy prostitutes should not be here

and tried ripping the clothes away from her with the

feminine grip, and she would stop and see her age

and turn her fury towards the husband and forget

about the young girl and she would escape and run and run and run and run.

* * *

Corroded Conscious

breaking the soul as each creation we make breaks to split seconds.

Yawning Ends Ends to break break break mechanical soul monster.

Monster. Testing the soul as each creation we make breaks to split seconds. Yawns as we end the mirrored noise in a hallway of glass and smoke and mirrors. The mechanical children we made were sold to flower sellers, flowering the industrial forest with papered pamphlets of God’s name in fast drying paint brushes of water.

And then to find at the end of each night, trail ways and walkways of papered footsteps. Each footstep with the words, worlds of crying. To save me. To pick me up like that man picked up his daughter and carried her on his shoulder and laughed as she laughed with the mother behind them, not in tow, but holding a hand of a son who smiled and held his backpack as he was being dropped off to school and that smile he gave them and how he would look at me as he walked past me and wondered where my mother and my father was and I wondered too and I would remember how I was taken and sold and given away to feed the rest of the family and that I didn’t have them anymore but how I have new brothers and new sisters and how they cared for me only as much as they cared for themselves and that I would then leave and leave and be left alone at night with scooters passing by me and the shouts and yells as I was told to leave each doorstep as each family seemed to step out at that moment from those shiny cars and held each hand and walked into their homes, all smiling, all mocking me.

Each footprint with the words, worlds of crying. To save me. As the mechanical child worth the amount of flowers he sold looks back at you at the end of the street. A diseased face edging.

At the corroded conscious of Beirut.

***

Jewel of the Orient

A routine would be picked up –

on places to go and hide from them

on where to eat and where to hide

away from those men who would

stare at me with those lewd eyes and

I would try to ignore as they would

ask me if I am lost and if I want to

come with them and I wouldn’t trust

them and I would move and sit on the

sidewalk until someone gives me money

but it was just paper to me. I would only

see it and see it and see the eyes with it

and I would be scared to hold it and I would sit on it when it was given to me.

Then I found that at night it would stop people from touching me if I give them

that weird paper and that they would

leave me and look at me oddly. There

would be that person who would give me

food and drop it on my lap when I am

sleeping with this strange M and I would

wake up and touch it and eat it and eat

then get sick and eat and eat.

I would hide in my place on that corner with

the flowers and sit against the wall and smell

those pretty things and close my eyes and sleep

but I can not sleep soundly, that is dangerous

but I would sleep.

And the drugs wore off

And the drugs wore

And the drugs

That made me sick would wear off.

* * *

Everybody Lies

Lulled out of sleep, I felt like I was flying

The ground would be moving by itself,

moving away and away and away and away

Then came the smell,

a feminine smell,

that woman’s smell. The woman that shouted at me

and tried to hurt me. Fear took me and I started to

move and shake and cry out. The next person on the

street would look at me then walk away, no second

thought would be given to me. And I would cry out

but no one would come and help and I would hear

soothing words in a weird language that were warm

but not everything that is warm is good, as with the

drugs they gave us, the only thing we felt was warmth

at first as we began to be used and filled with all these

different things. Warmth is not good. Warmth is not.

I would move and shake, in fear and fear and fear at

this woman and a man’s voice came out and I would

shake some more, afraid. they would hold me and take

me to a room and put warm water on me and clean me

off and wash my face and smile at me and I would be

afraid and try to find a way out and a way out and the

man would block the entrance and I would be scared and

shiver. And they would make sure I am clean then leave

with a towel on the ground and stand outside as if I was

allowed to dry myself, after they saw what they wanted.

And that feminine voice would lead me to the room with

a mattress on the ground but no shackles to keep me there

with food and food and they would watch me eat and speak

to each other. But when I finished eating I would close my

eyes and try to sleep because the food made me sleepy, and

the drugs were there and not going to wear off and sleep.

* * *

Ticktickticktickticktickticktick

aspeedwatchticksaseachpersonrunsbyoncats

withwheelsstucktoeachotherandfinallytobe

meltedandtheyblow smoke as two people

press their weight and pass bybybybye TickTickTickTick wash sip drink cold barley wheat sip drink falls down parched throat. Beer is cheaper than water. Compared at different places. And we save our money on essentials only to spend on non-essential goods more more moremoremore & we develop our own cultures withoutname and call it our own and end up discovering and falling and ticks the clock till we are disavowed and fall and die.

The same patch over the eye. Only difference is that the man is blind in a different eye that day, with a hand out asking for money. Money. Coins. It is as if I were to stop the periods at the end of each sentence and introduce spacespacespace And it would increase and increase with each moment until he would lift up his head, notice a person right next to himself, smack the guy in the leg and cry out “God is Great”. My fucking ass god is great you hypocritical piece of shit. You use that deity’s name in vain, and you were put in this shitty situation because of your own mistakes. And it’s because God is great?

Or because you are a coward?

***

Moors:

Moors sun drip red paint

Moors dune creeping velvet sky

Moors wet tear tear tear tear

the only visible water in the desert

Moors mildew cry from tear spread

Moors create a false light life

Moors Moors Moris you left the residing men and women fighting with scarfs in brooding sinister gaze a gunshot stroke of violin.

+ + – + Gunshot bystander viola + – –

A thousand viola strokes calming a fire

stroke pull pull pull pull stroke

string break Moors

Moors red black paint dot dot dot

Moors desert with drops of red black paint

Moors Moors Moors

Stepping stone for next generations fight.

***

First and Last

‘She’s a refugee, we can use her in our trial’

– Can she speak to us, answer our questions?

‘We haven’t tried, but she’s young – she can learn’

And to that I would be given a smile by the woman and she would try to teach me and she would frown and teach me and when she would frown I would get scared that she would hit me and I would edge away from her and she would smile and walk away and talk to the man again and I would close my eyes as she would come back and a picture would be taken and they would ask again in Arabic and then I would open my mouth to speak but I would be afraid and close it.

They took a picture as proof of my state

added it to a collection – I was afraid that they would use me like the men did.

Use me and let me go.

I would stay in that room with them and try to communicate with them and they would try to communicate back and I would want to tell them about my dreams, about the ‘Icarus’.

And I would disappear

and close my eyes and disappear

and the world would change and I would disappear

into my world at nights, where I am safe.

* * *

Carnival

I would take a mask at the entrance, a grave warning to not

remove the mask when walking at night.

A carnival

would appear. Only at night though, that’s important to remember.

The grounds would be overtaken by people

by sights

by sounds

illusions and patchworks in the air.

A maze would present itself,

a labyrinth at night.

You can only enter at night – exit when you wish but the world remains night within. Each room would have a theme.

Ghost children, mimics of how I would imagine myself to look would run in different paths, different ways.

To the center, you would hear a giggle

laughter

as the children run from room to room –

“Tag, you’re it”

The first room is a corridor. Second room a kitchen.

Debauched, blood dripping on the walls, a room of ice.

I once saw a tree there, popping and crackling. A room of stories, ladders in all directions made and leading to books. The demons would be bathing, an angel would preen in the mirror. Rooms each crawling darker and darker and darker and darker before the rooms to the center are pitch

black.

The center piece is a statue. Alien, not moving. When you approach it –

It would move towards you. Asking for affection. It sees you with the mask. Of a previous lover maybe. Of that mask that each person wears when they reach out to you and who they imagine you to be as they fuck you. It would hug you and you would get a flicker of each room as it is held in your embrace. You move, each room is moved till you remain on a cliff with a chessboard moving by itself. The alien nudges at the board, and when you touch it, you are transported back to the entrance, laughter in the distance and the voices of the little girls in the air.

“Tag, you’re it!”

* * *

Alone

They took what they needed and left me. Let me be.

Gain publicity, and leave me alone with myself and how I gained myself and what I can do and what I can do and what can I do.

I told them about how I was sold off, paid off, to the parents and who sent me, so they can earn money, get money from the papers and the papers that everyone loved but used me and the papers and I was left alone. I ended up trusting them and trusting them and they took what they needed and they fed me and left and I wasn’t told to go but I wasn’t told to stay.

You sit on the edge of the room and watch people pass by and watch them and they may see you or may not and in that darkness in which you feel so safe and secure you notice the silence of the room and the silence because you can hide your fear and hide yourself away. In that room in that world in that sense I would hide and smile and hide and smile and hide as I would move back to my spot next to the flower shop and the decaying building behind me down the corridor down the hall with the open roof and with no such thing as anyone to bother you or hurt you or harass you and I would feel safe here at home.

In this darkness then I could sleep and be awake and be wary and watch the cars pass by roar by, hiding as they do and I would stick and sit and watch and close my eyes and imagine that the wisps of smoke that pass by are nothing more than the illusions that bring me security of my dreams.

Then that dream or shadow would come and I would see the men that pass by and become afraid of them and be afraid and be

afraid and hide and cower and hide and stay safe in the illusions that I carry and wish for a change but not receive any change and dream and change and dream for that change but the only thing that would end up changing is my view of the world as if the drugs that they used on me were moved off and I was left alone with the dreams and dreams that became a reality as I became more and more insane.

And there would be this man, and I would be afraid of men, knowing what they would do and what they can do and the jealousy of that race and what they would do to fulfill their own desires and he would sit

across the street

and sit across the street from me, taking sips from that weird colored bottle and he would drink and watch me and watch me, and I would sleep and he would watch me then move and I would awake and he would move and come back and sit and watch.

And when dawn comes he would be gone and that beer bottle would remain on the ground with scribbles on the ground and I would see him the next night as he would sit and watch and draw scribbles in the air and draw scribbles in the air and draw scribbles.

Sometimes he would be gone and he would disappear and come back

and come back

and come

and give me food and I would eat as he would move back to his side of the street and draw scribbles and sit back head against the wall and watch the people pass by and drink and I would believe that this would be my imagination but it wouldn’t because of the traces left in the morning.

There would be nights that he wouldn’t be there and when those nights happen I would be scared and hide and be scared because something could happen and I wouldn’t be able to stop it or protect myself and I would be scared and I would huddle up and dream and be hungry and dream and dream and dream in an illusory fervor that would make me more and more human or less human and I would dream and think about the world and think and think and wish and hope as I see people pass by with their families – children smiling and holding hands with their families and I would remain in the corner snuck away and I would walk but come back to that same spot and stay safe stay safe safely stay away from me.

And the next night he would be back and sit and watch and bring me food and sit and watch and bring me food and sit and drink and doze off and I know he would be watching people as they pass by on the street – and there would be this one time he would protect me from another drunk and he came the drunk and started shouting at me and tried to get me to move and the man came and watched him and made him stop and left me alone and alone and I would feel safe around him but I would remember that I would always be alone.

* * *

Keeper

The lights creaked, as the shadows shot by.

Shadow

Shadow

Shadow

Three shadows hunting, bending the world around

them

As they hunted and hunted

as if

if they were dogs on the hunt

The scent of blood a powerful force

Hunt Hunting Hunt

The prey ran away.

Faster Faster

Tears flowing in the air. Precious little crystals

the shadows could have paused at that moment

Stopped

Stopped and stared

The crystals flowing, dripping, before shattering

on the ground / ground / ground / ground / ground

The street was empty. Just the crystal tears

remained in the air. Before they splattered on the floor.

Anger rising in the blood. This is my turf. Mine!

Not their hunt

I picked up the speed – cracking the lamps.

With outreached fingers

Running Running Running Running run

The shadows continued hunting, their one track minds

Hunting hunting hunt hunt Hunt

Barring their fangs, with their evil guns.

Bah, childs play. Boring shit. Little boys with their guns.

A side step. A little movement.

Two heads drop to the ground below

The first shadow hunting. Hunting. Silent

Running off the ground

Children lying at my feet

the tears still breaking on the ground

Sending ripples through the blood.

[First shadow running. Running away. Crying away. Away. Away.]

No need to follow the “prey” this night.

My own amusement satisfied.

Heading back to sit next to the flower shop.

And wait, wait, wait

Keeper of the grove / the bait lying at my feet.

Staying and waiting

To keep

my boredom away.

* * *

Jewel of the Orient (part 2)

A routine would be picked up –

I would return to my routine and fall and sleep and dream and dream and wish and dream and stay silent and fall and watch the world as it moves around me my world on this street and remain with myself and not trust others and remain within myself

on places to go and hide from them

and I would hide and feel safe because of those dreams and dreams and I would sleep and eat and wake up and sleep and see that strange man that would protect me and he would be silent and he would speak to himself and say those few choice words and I wouldn’t understand him unless they were the words that woman taught me.

on where to eat and where to hide

and I would eat and be full but not happy and sleep and dream and look and feel something of stupidity as I would see the people pass by and not stop to enjoy the smell of the flowers at the flower shops with the old men who’s dicks no longer can move and are safe but to look at.

away from those men who would

and those men who did not stop at the old ones but the young ones and the children who believe that they can do whatever they want because of what their mothers and their servants tell them that they are the gods of their own domain.

stare at me with those lewd eyes and

I would ignore and move on and be careful and stay away from that poison no matter how hard it was and I would wear my clothes and close them tighter as if I felt them pierce my breasts and I would feel dirty as if the abuse that went on before.

I would try to ignore as they would

and I would stay and I would move and I would remember where I saw them and I would remember what it was like before when they came to the man and asked for what they want and they would pay and he would give us those drugs and send us out and we would be afraid of what can happen. As if we were toys and toys and toys that we should be playing with but are instead played with.

ask me if I am lost and if I want to

After that woman who just took me and used me for her own war, I would feel used and betrayed by a woman, and by everyone and not just the dirty men but the women – is this what it is meant to be human to be used by each other and held down? What was it that I did before that made me just rely on my dreams to keep me safe and safe – and now that each person that scares me how I imagine them with weird faces and I would laugh and move and I would still be scared but I would move on.

come with them and I wouldn’t trust

I couldn’t trust them I couldn’t trust them I can’t trust myself as I move on and feel vulgar and violated as each person took away something from me and left me alone in this culture of the orient.

them and I would move and sit on the

And I would wonder and think and want to get away from here and be happy like those kids on the sidewalk walking with their parents or adults and smiling and not be pointed at and mocked because it is not my fault. It is never my fault. It will never be my fault. This jewel in which everyone has touched leaves me alone and used and leaves me alone and used and I would remain and hide and hide.

sidewalk until someone gives me money

And that man would sit there and watch me at night and I would feel safe and he wouldn’t give me paper but would watch me and make sure I’m fed and he gave me a chalk and showed me drawing but never spoke to me and when I tried to tell him thanks, with that word boundary I would tilt my head down and he would step back and show me how to draw and how to speak and leave me alone and sit and doze and sleep and watch and make sure I’m safe.

but it was just paper to me. I would only

and I would take those papers and collect them and he would show me where to get them and I would collect the money and get more and use them and I would draw and draw and stay in touch with my dreams as they would unveil in front of me.

see it and see it and see the eyes with it

But nobody saw the money the same way. Some of them that passed by would just toss it and others would hold it and covet it and others would watch and make sure that I’m safe and watch and make sure I’m safe and I would hope and stay silent and he would watch and make sure I’m safe and he would speak to the flower shop next to me and I would watch him as he would step back and stay

and I would be scared to hold it and I would sit on it when it was given to me.

Then I found that at night it would stop people from touching me if I give them

that weird paper and that they would

leave me and I would no longer need to and the man at the flower shop took me in and gave me flowers and I would take them and sell them and give them to each person and people would give me that disgusting money and I would offer them a flower but they would shake their head and I would feel like they are taking pity on me but I don’t want that pity.

leave me and look at me oddly. There

And I would leave that flower with them and move on and with the money that was left as extra I would give to the man and keep the flowers for myself and he would see me at one time outside of the store and he would let me sleep inside of the store and I would sleep and feel safe from the outside but I wouldn’t be able to sleep because the sounds of the world have changed to an even greater silence.

would be that person who would give me

And he would come in and check on me and he wouldn’t care of who I am and he would leave me different books and I would try to learn and learn and learn more so I can do more and the man would stay outside on the sidewalk and watch the world that passes by and he would swirl words in the darkness and swirl it with smoke and I would hear the occasional coughing and stay silent and watch the world and watch and imagine.

food and drop it on my lap when I am

And go into the dreams and imagine and dream and close his eyes and dream and imagine and the world would change and the world would change and the world would change.

sleeping with this strange M and I would

And closing my eyes I would imagine and sleep and dream and sleep and wish that the world changes and one time the man that took me in and used me came to the shop and I hid behind the old man and the old man sold him flowers and I hid until he left and stayed on the cot and would refuse to step out and the next time that man came in he told him to go elsewhere and he did that and I felt safe.

wake up and touch it and eat it and eat

And the man that sat outside that I felt safe with but not trusted disappeared that night and I remember hearing on the news of a ring that was discovered and ruined and that the man will go to jail and I sat and took the flowers and moved the flowers and sold the flowers and learned more and more about those flowers and I felt happy.

then get sick and eat and eat.

I would hide in my place on that corner with

the flowers and sit against the wall and smell

those pretty things and close my eyes and sleep

but I can not sleep soundly, that is dangerous

but I would sleep.

And the drugs wore off

And that man never returned to the spot at night. The beer bottles were no longer there. And that man never returned to the spot at night and the beer bottles were no longer there.

And the drugs wore

and I would dream about this person standing there and keeping me safe and I would dream and feel safe and sleep and sleep some more and I would dream and dream and dream and eventually I would sleep and dream and stay in the flower shop and I would enjoy myself lost in the flowers taking care of the place, safe in this world a gift that I couldn’t have been given – that pittance of money making people feel better about themselves but leaving me feel used no longer there but replaced by a sense of work and I would keep working and I would slowly forget about my past and forget about my past and forget about my past and forget and forget.

And the drugs

That made me sick would wear off.

And then when I started reading a bit more I would give myself a new name and I would get a weird look by the owner of the flower shop but he would call me by that name.

Icarus.

Absalom’s Dying Rite

I tend to write about something before I even attempt to paint or draw it. This way I tend to get what images I have in my head out, and construct the creation out of that. For the Absalom series: It is a story about how a young boy had to kill his imaginary friend to become an adult. The reason for this is simply that you usually are not seen as an adult if you have your imaginary friend. In offering Absalom his last request, the imaginary friend requested for stories about the adventures that the young boy underwent.

 

As such, these are the stories of Absalom’s Dying Rite:

 

———————

Absalom you’ve been hiding away

Staring at me and hiding behind the walls of black text.

In this dream you’re sitting across from me,

but masks are the only things I can see of you.

 

A heavy cloak of black,

Darkness, dark strides. Absalom, you’ve been bleeding.

Those tears from your eyes.

Crying heavily, you can tell me my love,

Absalom, what are you hiding?

 

Why are you hiding, when I am here across from you?

You can read me and I will tell you my stories,

Each one. Every little thing. It is alright my dear.

I would tell you the story of the world.

 

My world, my dear. My twisted eyes. Of ferns growing

in the middle of the street. Of how people walk around

them and do not notice. How lovers walk hand in hand

and release their hands. to walk around a tree stalk and

then come back together but do not notice. Have you ever

thought about the nature of the world?

 

Why is it that we each see different things and call it

one name? Absalom, you’re crying again. Don’t fret it

is okay. You’re going to die soon, and your eyes are

closed. So listen to me please Absalom. Death is not going

to make you free. This story is.

 

Absalom, we are home.

————————

Home

 

Absalom, remember the street where we grew up?

The street lights used to turn on and off flickering.

Small gusts of wind blowing them this way and that.

And then the lights would bend and tilt like branches

on the tree. And the lights would shimmer in front of

windows of our home.

 

And home was that small bedroom for us. Remember

how we used to draw on the walls? You were not there

yet. There to guide my hand. As we drew on the walls

stars and stars that would glow in the dark. And then I

would close my eyes and open them in pitch black, the

sheets covering the windows. I was so small then, inside

the bed. Covers over me, giving me warmth. There was

darkness on the outside, that would reach and cover and

overlap and scare me like waves and waves. You didn’t

come yet. But that was my home.

 

I used to be afraid of the dark. You were not there yet.

You didn’t understand. How when I was small I believed

that there were only two ways to protect your soul. One

way was to sacrifice a small bit of it and seal off the room.

That wouldn’t protect me from the things inside it. One of

those things was you.

 

The other thing was for me to seal off my body and protect

me, but that would not stop me from seeing things and I

would become so afraid. So so afraid. And I would close my

eyes and close my ears and cuddle up into a little ball and you

would be next to me and you would speak small words into my

ears. And I would let go and let go, and come back and cover

my ears and let go and let go and come back and cover my ears

and finally let go.

 

And then you came into me and covered my eyes and helped me

see other things. Illusions of grandeur, illusions of make believe

homes. And I would leave you during the day in the teddy bear

form. Home was bigger than that. There were friends, outside.

And inside I began to build another form. An alter ego to protect

me from the world. Not false lies Absalom. Not false worlds. But

to protect me and I left you alone. And I as I lost my old home,

I found new ones.

 

And you’re sitting across the table from me, sitting on those few

books. You are going to die Absalom, as I take back my soul.

But I introduced you to him. The alternate me. Remember Absalom?

It was on one of the king roads.

———————

King Roads

 

Have you visited the King’s Road

my Love? A journey through the mirrors.

Treacherous roads, darkest of shadows

creeping or receding like.

Small tides. Black Tides. A forgotten thing Absalom.

 

The first time I came there was by

mistake. I held your hand, a long

wispy black hand that stretched further

than what the mirror would allow you.

I clambered on the dresser and fell into

the world. Strange skies with strange

stars. Absalom we came back together

hand in hand. Explored your world

properly. Remember?

 

I went there more by myself. I left my dream

there Absalom. I left him there to

move and go. And he told me about

a beauty. Some unknown goal hidden

in the books and books in the language

of dreams. And the books were filled

with corruption. Of kingdoms and empires

burning to find this being. Absolute

and deadly Absalom. Don’t blame me

for leaving you to go on the quest.

 

I learned so much without you my

love. I hurt you and explored the

world without you. And let me tell

you a secret, my dream. You cannot find

her, only parts. And we combine the

facets to create the being. Our imagination

killed the empires and Kingdoms, Absalom.

 

And that is why this search is for imperfection.

The search for my Lotidia.

——————————–

Lotidia

 

I have never told you about Lotidia, Have I Absalom? I was scared before to do so. You have always been the jealous one. Just like a woman who you tell is not the one – but insist of dating her anyways.

Lotidia is that perfect woman. I mentioned that earlier right? She is as real as that flower. As real as the notion of perfection. I have met facets of her on my travels. Away from you Absalom. The sets of universes I have made in my mind. Setting off like a god a single spark of existence. And from there I would speed up the time and watch the forms blossom and grow with the probability that one form would come out. And then he would visit them, like Zeus and the swan.

He would take those forms, the battle ready men and women and draft them into his collection. But there was another woman who would do the same, Absalom. Inara and Tenebrae – each depicting a good and bad. They would join together to form me, Absalom. My id and ego. The third part is Lotidia, she would be the last remaining part.

Absalom, have you ever seen their battles? They would wage wars so huge it is beyond the limits of my imagination. I would create a new dimension just for them, and all the facets would fight and die. And there was that chance that she would birth, and I would see this beauty called Lotidia. But it would be an illusion and fade away like a mist.

Absalom, stay awake my friend. Keep looking at me with those beady eyes of yours. It is not the perfection that I need, my love. But it is to collect the facets that tell me “Imperfection!” Imperfection! Imperfection! And with that, my love I could finally find true beauty bit by bit. I would collect the facets myself, and keep the memories safe with me and move on. And these collections would form and become bigger and grow. But in going through this adventure, my love, you lose parts of yourself on the way. And lose them, and lose them some more. It is in becoming jagged and jaded that we are lost Absalom. And that’s why I need you to become whole.

———————————–

Absalom’s Dying Rite:

 

Absalom, you’ve been given the dying rite.

Words as unfriendly as the man at night.

Street lights awake, twinkling slowly,

Flickering to make the beggars believe they are stars.

Absalom, you’ve been moving so slowly.

Through the pages of dreams unsure.

Would you like to stop a bit and drink a cup of coffee?

Tell me of the stories you’ve heard?

Absalom, you stand before the gates to

a force fed destiny. The stands of people

above you hold. Why do you not cry? My

dear dear Absalom?

Why don’t you cry, as fleeting as your life?

The streetlight flickers, Absalom, so slowly.

I never noticed it before. It is night.

Absalom, the morning comes and you

will not be here with me.

Absalom, goodbye and goodnight.